Reet Varblane, art critic from Estonia wrote: In order to understand Aili Vint’s pure art, one has to have time, a wish to accept and an appropriate mental state. Light art is meditative this way. Clement Greenberg, the patron of pure art, should be happy as there is nothing else disturbing the viewing experience.
Arvo Pärt, Estonian composer:  I could compare my music to white light, which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener. 
Painter Aili Vint: I create just a simple form of white paper, and then trust it to The Light of God. Clean your eyes to the godly light. - When your eyes dive into the clear light, you clean your eyes from the everyday. Just like a wine taster, who rinses his mouth with water, before tasting a new kind of wine.

  

 

OP-ART & LIGHT INSTALLATIONS

  

ÜKS PILT: AILI VINT "SKULPTUUR PÄIKESELOOJANGUST" Kunstihoones, 1995  

 Aili Vint  Reflections, 1993, acrylic, exhibited at the Osaka Painting Trennale' 93 (The Light, reflected on the color, is glowing from behind. The tilted board is pure white)
 

3D GRAPHIC ART - THE MAGIC GLOW OF WHITE PAPER 

 Aili Vint: How I became fascinated by the magic glow of white paper? I had just bought three very expensive sheets of snow white paper to make some graphic prints for the Osaka Print Triennale. In my studio, I placed all three rolls of paper on the table, and I noticed that the glow of white paper spread from one roll to another and the paper was singing in its pure white glory. And then it came to me: Such purity cannot be messed up with ink! So it was decided. I made some cuts to the paper and put it back into the roll. There is no reason why graphic art cannot be three-dimensional. 

 

Aili Vint  Maximally Minimal 1994, 3D graphics, papers was exhibited in Osaka Graphic Triennale'94   

Aili Vint  Maximally Minimal 1994, 3D graphics, papers was exhibited in Osaka Graphic Triennale'94   

 

 WHERE LIGHT AND SHADOW MEET A GLOW IS BORN  

The glow of light is a strange, independent force that creates the impression of visible form. On these sculptures the glimmer of light is so powerful that it makes the form around the white roll of paper echo back from inside and the roll disappears into the light. This glow can even erase the form and create an impression of spacelessness.
 Aili Vint Glow of Light on Paper, 1995,  sculpture of paper.  Was exhibited at the Osaka Sculpture Triennale'95  

 Aili Vint Glow of Light on Paper, 1995,  sculpture of paper.  Was exhibited at the Osaka Sculpture Triennale'95  

 

 

HOW THE PAPER SEA CAME TO LIFE

Aili Vint: During the period when I was building light sculptures, my soul longed to paint the Sea. Suddenly I found myself folding the Big Sea out of paper.  
But now I am going to tell you, when the paper sea was really born. One morning in my childhood, when I stepped into our back yard, I saw a snow-white sea that smelled of Grandma’s clean sheets, billowing all over the yard. At that time I was certain the White Sea was white. This is how an illusion of reality is created and The Paper Sea came to life.
 Aili Vint Glow sculpture of a Sea, 1999, folded white paper, 110 x 190,5 cm  (The work is framed and similar in size to my oil on canvas seascapes)

 Aili Vint Glow sculpture of a Sea, 1999, folded white paper, 110 x 190,5 cm  (The work is framed and similar in size to my oil on canvas seascapes)

 

 WHY IS SNOW WHITE 

  Aili Vint: Why is Snow white?! 

  

   

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