Aili Sarv (photo, 1947) Aili Vint (photo, 2005)

How I decided to become an artist 

— Because I promised! I was no longer a small child when I suddenly found myself standing in front of a real, live Sea. The Sea was incredibly vast and open and the bluest of blue. I remember the gentle breeze touching my hair and silky water caressed my feet. I watched them through the water and wondered how an artist might pain the translucency of the sea. It seemed so impossible.. — I am painting! —Yes, I will be an artist! (Aili Sarv (in 1947)

Aili Vint (1967): Now I am an artist and I will try to show you this glorious moment.

So, when people ask me how long it took me to complete this or that painting, I am always tempted to answer: A long, long time – since childhood.

download.jpg

SEA AT KÄSMU 1991 Oil on canvas 150 x 175 cm artist’s collection


The story of my destiny   

When I was a child there was a seascape with gigantic wave, hanging on the wall by my bed. I remember how, at bed-time, instead of going to sleep, I roamed on crests of the waves and slid down to the trough. In that stormy sea I had my own place to crawl into when I felt sleepy, and so I often dozed off in the embrace of the silky wave.The picture by my bed was a copy of The Ninth Wave (1850), by Ivan Aivazovski. And today, three of my seascapes are hanging in one room side by side with Ivan Aivazovski’s works at the Marine Art Museum in Otchakow, Ukraine.

Can you imagine! Now our pictures sleep together!



WORKS IN MUSEUMS    

Marine Art Museum in Ochakov, Ukraine.

Tretyakov’s Gallery, Moscow, Russia

Tartu Art Museum, Tartu, Estonia

Kumu Art Museum of Estonia, Tallinn

Zimmerli Art Museum, Rutgers University, New Jersey, USA


 

AILI VINT 

Was born in 1941 in a tiny town of Rakvere, Estonia, Europe.

enne kooli.jpg

One memory from childhood: During the hot summer days, in our dry and dusty hometown  we used to play a game of bathing in the Sea. One of us would close her eyes and the other would lead her from warm sunlight into cool shadow. The one with the eyes closed had to sense the difference and quickly yell whether she was in the Sea or out of the Sea. 

scan00122.jpg

1962-1967  Studied at Institute of Art, Tallinn, Estonia

1964-1970  Member of ANK’ 64, a creative group of students: Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Malle Leis, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, Aili Vint. The ANK group was also formed under the aegis of the ÜTÜ.  ERKI ÜTÜ – this acronym stands for the Student Scientific Society of the State Art Institute of the Estonian SSR, an organisation often behind students’ public events.

“The tradition of ANK can be regarded archaic, presuming that this is not „in“ in the intellectual world. Still, it seems to me that the values still preserved by  the masters who once formed the first organically born artistic group amidst the deadly structured plasma of soviet artistic life, - these values have worth still, even at the end of the century.” (Estonian Art Critic Boris. Bernstein: „ANK  - an artistic phenomen“ (From ANK ’64, Catalogue:)

1967-present is married to painter and writer Toomas Vint

1970-present Freelance artist, a member of Estonian Artists' Association

 

SOME SOLO EXHIBITIONS

2016    CAPRICES, in Tartu Art House

2001 Gallery of Rakvere Museum, Rakvere

2001 Haus Gallery,Tallinn

2001 Olion gallery, Tallinn

1999 Gallery of Estonian House, New York, USA

1995 Kastellaani Maja Gallery, Tallinn, Estonia

1995 Tallinn Art Hall, Tallinn, Estonia

1990 Järvenpää Cultural Centre, Järvenpää, Finland

1990 Oulu Cultural Centre, Oulu, Finland

1988 The Art Museum of Estonia, Tallinn

1977, 1996 Gallery of the Tallinn Art Hall, Estonia

PEDAGOGICAL ACTIVITY 

1991 - 1996  Estonian Academy of Arts lecturer, a creativity mentor

1996 - 2002  Estonian Business School, creative know-how training for top leaders and businessmen  

1999 - 2006  Estonian Euro Management Institute,  creativity mentor   

Since 2012  TTÜ creative training for architects

Creativity mentor Aili Vint: Whatever your profession, switch on your creative light and you will see a genius!

Journalist Ene Vool, participant of the happenings  :  „Aili Vint is so dedicated in in injecting creative rush into people, that she can make even the most hardened cops to paint their feelings.”

Journalist Ene Vool, participant of the happenings : „Aili Vint is so dedicated in in injecting creative rush into people, that she can make even the most hardened cops to paint their feelings.”

CREATIVITY IS THE ONLY PERMANENTLY FAITHFUL CAPITAL

The creative trainingś video is here: Eesti kunst, Aili Vint /ERR/ 1998  Eesti kunst: Aili Vint 

   ..

Tiit Pääsukese maal Aili Vint must.jpg

The picture of Estonian Painter Tiit Pääsuke: Portrit of artist Aili Vint 1981 Oil on canvas 146 x 114 cm (RKM) Estonian Art Museum

aililood.jpg


ILLUSTRATIONS FROM THE BOOKS  

Aili Vint THE SEA BOOK   , published by Tulikiri, Tallinn 2011

Aili Vint THE SEA BOOK , published by Tulikiri, Tallinn 2011

Aili Vint  LIKE SUN IN THE SKY,  published by Ilo, Tallinn 2000

 

SOME INTERNATIONAL EXHIBITIONS

_EDA0684.JPG

Aili Vint REFLECTIONS, 1993 Acrylic the Light, reflected on the color, is glowing from behind. The tilted board is pure white).

Exhibited in Osaka Painting Trienale 1993

1995 Osaka Sculpture Trienale, Japan

1994  Osaka Graphic Trienale , Japan 

1993 SUBSTANCE - UNSUBSTANCE The 1st annual exhibition of the Soros Foundation, Center for Contemporary Arts, Estonia. Tallinn, Estonia

1988, 1991 Miniprint Triennial, Chamalières France

1987 Art of Soviet Estonia, Moscow

1987 Rostock Painting Triennial, Germany

1984 SPACE AND FORM, Art Hall, Tallinn

1983, 1986 Riga Miniprint Triennial, Latvia

1981, 1987 Lodz Miniprint Triennial, Poland

1977 Szecin, Poznan, Warssavi (with Toomas Vint) Poland

1975, 1984 Baltic Painting Triennial, Vilnius, Lithuania

1972, 1997 Cracow Graphic Art Biennial, Poland

1971, 1980, 1983, 1989, 1995 Tallinn Print Triennial, Estonia

 

LATEST EXHIBITIONS

2018 -2019 Estonian Art 1918 - 2019, Tretjakov Gallery, Moscow “Border Poetics. Estonian Art 1918–2018” is an exhibition of the Art Museum of Estonia and the National Tretyakov Gallery, combining Estonian art of the last hundred years from the collections of the two museums.

The Atlantic Sea 1981 Oil on canvas 175 x 200 cm Tretjakov Gallery, Moscow

On The Island of Tütarsaar 1985 Oil on canvas 115 x 145 cm Tretjakov Gallery, Moscow

XXX Baltic Regatta. Waiting for The Wind, Triptychon II, 1979 Oil on canvas 174 x 150 cm Tretjakov Gallery, Moscow

2018 Kris Lemsalu and Aili Vint at Bozar, Brussels @bozarbrussels until August 19, curated by Maria Arusoo, director of CCA, Estonia! ••• The exhibition is part of the project "Somewhere in Between. Contemporary Art Scenes in Europe" in Bozar. Brussels

2017   MONA The Museum of New Art, Pärnu, Estonia

2016 CAPRICES,  in Tartu Art House, Estonia

2016 Soviet Hippies are present at the exhibition: PEACE AND LOVE

Soviet Hippies are present at the exhibition: PEACE AND LOVE,       2016    London n — Soviet hippies: psychedelic underground of 1970s Estonia / Nõukogude hipi / YouTube)

Soviet Hippies are present at the exhibition: PEACE AND LOVE, 2016 Londonn — Soviet hippies: psychedelic underground of 1970s Estonia / Nõukogude hipi / YouTube)

Aili Vint Illustration from the book    "Yellow in blue like the sun in the sky" 1979,    gouache on paper,28 x 42 cm

Aili Vint Illustration from the book "Yellow in blue like the sun in the sky" 1979, gouache on paper,28 x 42 cm

Soviet Hippies, a new exhibition at London's Red Gallery, takes visitors back to Soviet Estonia to step into a parallel universe — the hippie movement that existed within the Brezhnev regime.

Curated by KIWA and Terje Toomistu, the exhibition is based on an in-depth anthropological study, which saw the pair interview 15 people who were part of the hippie movement in the “Soviet West”, as Estonia was known owing to its bohemian feel and rock music scene. Visitors to Soviet Hippies will be able to get a privileged insight into the experience of this generation, with the interview films and a rich array of archive photography due to be shown at the exhibition.

“In the shadow of strict rules and harsh repressions, a colorful crowd of artists, musicians, freaks, vagabonds and other long-haired drop-outs created their own world, their own underground system that connected those who believed in peace, love, and freedom for their bodies and souls,” said the curators of this fascinating counter-culture.

SOME CATALOGS FROM EXHIBITIONS

2010  POPKUNST FOREVER  Estonian Pop Art at the turn of the 1960s and 1970s, Kumu ART Museum     

2012  CHA ROADS & TRACKS, Moscow International Art Salon, Russia

2013  THE ARTISTS GROUP ANK' 64 Tallinn Art Hall, Estonia

SEA UNDER THE DARK SKY 1975  oil on canvas 92 x 115 cm Kumu Art Museum

SEA UNDER THE DARK SKY 1975 oil on canvas 92 x 115 cm Kumu Art Museum

2013  THE DESIRE FOR FREEDOM ART IN EUROPE SINCE 1945, 30th Council of Europe exhibition. Deutsches Historisches Museum, Berlin; Palazzo Reale, Milan; Kumu Art Museum, Tallinn

From catalog's:The desire for freedom art in Europe since 1945: The Estonians are a “sea folk“ and always were. It is no wonder that the sea was associated with the idea pf freedom during the Soviet era. This explains why the horizon in Vint´s painting is a bright area, set off optically from the darkness of the foreground. A gleam of hope lies in the distance, while the present is defined by darkness. An Estonian viewing this scene might also sense the „white ship“ from popular Estonian legend, whose coming marks the beginning of an auspicious age and is awaited by the followers of the folk prophet Maltsvet, on the shore.“   

 

Catalog from 2019: “Border Poetics. Estonian Art 1918–2018” is an exhibition of the Art Museum of Estonia and the National Tretyakov Gallery, combining Estonian art of the last hundred years from the collections of the two museums.

 

Invitation to exhibition: ARTIST'S FOOTPRINT

2014-2015   Aili Vint's and Toomas Vint's  exhibition: ARTIST'S  FOOTPRINT, Tallinn Art Hall, Estonia

Together with Toomas Vint it was our intent to put the visitors, as they entered the Tallinn Art Hall, into the right frame of mind. For that we prepared a surprise for the people rushing in from the winter gloom. They could see The Sun rising in the display window, and upon entering, they were walking on grass and the scent of fresh-mow in hay tickled their noses.

Aili Vint: THE SUN SETS AND RISES FROM THE TALLINN ART HALL 2013-2014 Time-and-Space Specific Light Installations, 3000 x1400 x 900 cm